Parent Categories
Property Law
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The Romantic Author and the Romance Writer: Resisting Gendered Concepts of Creativity
January 25, 2024
Rebecca Tushnet, The Romantic Author and the Romance Writer: Resisting Gendered Concepts of Creativity, in Diversity in Intellectual Property: Identities, Interests, and Intersections 294 (Irene…
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Copyright Law, Fan Practices, and the Rights of the Author
January 25, 2024
Rebecca Tushnet, Copyright Law, Fan Practices, and the Rights of the Author, in Fandom: Identities and Communities in a Mediated World 60 (Jon Grey, Cornel…
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The Indian Arts and Crafts Act: The Limits of Trademark Analogies
January 25, 2024
Rebecca Tushnet, The Indian Arts and Crafts Act: The Limits of Trademark Analogies, in Indigenous Intellectual Property: A Handbook of Contemporary Research (Matthew Rimmer ed.,…
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Architecture and Morality: Transformative Works, Transforming Fans
January 25, 2024
Rebecca Tushnet, Architecture and Morality: Transformative Works, Transforming Fans, in Creativity Without Law: Challenging the Assumptions of Intellectual Property 171 (Kate Darling & Aaron Perzanowski…
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Legal Fictions: Copyright, Fan Fiction, and a New Common Law
January 25, 2024
Rebecca Tushnet, Legal Fictions: Copyright, Fan Fiction, and a New Common Law, 17 Loy. L.A. Ent. L.J. 651 (1997).
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Rebecca Tushnet, Copyright as a Model for Free Speech Law: What Copyright Has in Common with Campaign Finance Reform, Hate Speech and Pornography Regulation, and…
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Even More Parodic Than the Real Thing: Parody Lawsuits Revisited
January 25, 2024
Bruce Keller & Rebecca Tushnet, Even More Parodic Than the Real Thing: Parody Lawsuits Revisited, 94 Trademark Rep. 979 (2004).
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Rebecca Tushnet, Copy This Essay: How Fair Use Doctrine Harms Free Speech and How Copying Serves It, 114 Yale L.J. 535 (2004).
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Rebecca Tushnet, My Library: Copyright and the Role of Institutions in a Peer-to-Peer World, 53 UCLA L. Rev. 977 (2006).
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My Fair Ladies: Sex, Gender, and Fair Use in Copyright
January 25, 2024
Rebecca Tushnet, My Fair Ladies: Sex, Gender, and Fair Use in Copyright, 15 Am. U. J. Gender Soc. Pol’y & L. 273 (2007).
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Domain and Forum: Public Space, Public Freedom
January 25, 2024
Rebecca Tushnet, Domain and Forum: Public Space, Public Freedom, 30 Colum. J.L. & Arts 597 (2007).
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I Put You There: User-Generated Content and Anticircumvention
January 25, 2024
Rebecca Tushnet, I Put You There: User-Generated Content and Anticircumvention, 12 Vanderbilt J. Ent. & Tech. L. 889 (2010).
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Rebecca Tushnet, Running the Gamut from A to B: Federal Trademark and False Advertising Law, 159 U. Pa. L. Rev. 1305 (2011).
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Hybrid Vigor: Mashups, Cyborgs, and Other Necessary Monsters
January 25, 2024
Rebecca Tushnet, Hybrid Vigor: Mashups, Cyborgs, and Other Necessary Monsters, 6 ISJLP 1 (2010).
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Rebecca Tushnet, Fighting Freestyle: The First Amendment, Fairness, and Corporate Reputation, 50 B.C. L. Rev. 1457 (2009).
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Economies of Desire: Fair Use and Marketplace Assumptions
January 25, 2024
Rebecca Tushnet, Economies of Desire: Fair Use and Marketplace Assumptions, 51 Wm. & Mary L. Rev. 513 (2009).
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Power Without Responsibility: Intermediaries and the First Amendment
January 25, 2024
Rebecca Tushnet, Power Without Responsibility: Intermediaries and the First Amendment, 76 Geo. Wash. L. Rev. 986 (2008).
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User-Generated Discontent: Transformation in Practice
January 25, 2024
Rebecca Tushnet, User-Generated Discontent: Transformation in Practice, 31 Colum J.L. & Arts 497 (2008).
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It Depends on What the Meaning of “False” Is: Falsity and Misleadingness in Commercial Speech Doctrine
January 25, 2024
Rebecca Tushnet, It Depends on What the Meaning of “False” Is: Falsity and Misleadingness in Commercial Speech Doctrine, 41 Loy. L.A. L. Rev. 227 (2007).
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Gone in 60 Milliseconds: Trademark Law and Cognitive Science
January 25, 2024
Rebecca Tushnet, Gone in 60 Milliseconds: Trademark Law and Cognitive Science, 86 Tex. L. Rev. 507 (2008).
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Sight, Sound and Meaning: Teaching Intellectual Property with Audiovisual Materials
January 25, 2024
Rebecca Tushnet, Sight, Sound and Meaning: Teaching Intellectual Property with Audiovisual Materials, 52 St. Louis U. L.J. 891 (2007).