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UID:20260321T0320Z-1774063244.686-EO-744019-1@10.73.4.127
STATUS:CONFIRMED
DTSTAMP:20260523T042548Z
CREATED:20260321T005117Z
LAST-MODIFIED:20260323T155508Z
DTSTART;TZID=America/New_York:20260326T090000
DTEND;TZID=America/New_York:20260326T200000
SUMMARY: RAP Symposium 2026
DESCRIPTION: Please join the Harvard Law School Recording Artists Project f
 or our 2026 Symposium\, an all-day event full of speakers at the intersecti
 on of music\, entertainment\, and law: musicians\, entertainment/music lawy
 ers\, managers\, and record label founders. Starting at 6:00 PM\, we invite
  you to join us for a cocktail reception. Current Schedule: 9 AM – 10 […]
X-ALT-DESC;FMTTYPE=text/html: <p dir="ltr" style="text-align: left\;">Pleas
 e join the Harvard Law School Recording Artists Project for our 2026 Sympos
 ium\, an all-day event full of speakers at the intersection of music\, ente
 rtainment\, and law: musicians\, entertainment/music lawyers\, managers\, a
 nd record label founders.</p><p dir="ltr">Starting at 6:00 PM\, we invite y
 ou to join us for a cocktail reception.</p><p><strong>Current Schedule:</st
 rong></p><p><strong>9 AM - 10 AM:</strong><b>From Nirvana to MGMT: Managing
  Alternative Music’s Evolution</b></p><p>Speaker:</p><ul><li>Mark Kates</li
 ></ul><p class="p1">From working with Nirvana\, Sonic Youth\, Hole\, and Si
 ouxsie and the Banshees\, to signing and developing artists like Beck and E
 lastica\, and now managing acts like MGMT\, Mark Kates has been a central f
 igure in alternative music since before it even had a name.</p><p class="p1
 ">In this conversation\, Kates will reflect on decades at the forefront of 
 artist development\, offering insight into the relationships\, deal structu
 res\, and strategic decisions that shape enduring music careers—and how the
  role of the manager has evolved alongside the industry.</p><p><strong>10 A
 M - 11 AM: </strong><span class="s1"><b>Solidarity in the Streaming Era: Ho
 w an Influential Indie Rock Musician Became the Leader of Music’s Labor Mov
 ement </b></span></p><p role="presentation">Speaker:</p><ul><li role="prese
 ntation">Damon Krukowski</li></ul><p class="p1">From Galaxie 500 (an influe
 ntial indie rock band with music featured in the film <i>The Perks of Being
  a Wallflower</i>) to the forefront of today’s fight for musicians’ rights\
 , Damon Krukowski has lived through the music industry’s most dramatic tran
 sformation. In the decades since his work helped shape the sound of indie m
 usic\, the way artists get paid has been fundamentally upended\, replaced b
 y a streaming economy where millions of plays can translate into only penni
 es.</p><p class="p1">Now\, as a co-founder of the Union of Musicians and Al
 lied Workers (UMAW) and a leading advocate behind the proposed Living Wages
  for Musicians Act\, Krukowski is helping lead one of the most significant 
 efforts to reform the economics of music in the digital age. This conversat
 ion will examine the realities of streaming\, the legal frameworks that sus
 tain it\, and what it would take to build a system that fairly compensates 
 the artists behind the music.</p><p><strong>11 AM - 12 PM: </strong><span c
 lass="s1"><b>The Voice of a Movement: Patrick Flynn on Becoming a Pillar of
  Punk</b></span></p><p role="presentation">Speaker:</p><ul><li role="presen
 tation">Patrick Flynn</li></ul><p class="p1">As the frontman of Have Heart 
 (one of the most influential bands in modern hardcore)\, Fiddlehead\, and H
 ow Much Art\, Patrick Flynn has become a defining voice in the hardcore sce
 ne and beyond. From early 2000s basement shows to a 2019 reunion performanc
 e that drew over 8\,000 fans (widely considered one of the largest hardcore
  shows in U.S. history)\, his work has helped shape both the sound and etho
 s of the genre.</p><p class="p1">In this conversation\, Flynn reflects on t
 he evolution of the scene\, the values that sustain it\, and the challenge 
 of balancing life as a musician\, educator\, and community leader.</p><p><s
 trong>12:30 - 1:15 PM: The Lawyers Behind the Music</strong></p><p role="pr
 esentation">Speakers:</p><ul><li role="presentation">Matt Cuttler (Ethel Ca
 in\, 100 gecs\, Animal Collective\, and more)</li><li role="presentation">A
 dam Rich</li><li role="presentation">Joseph Anderson</li><li role="presenta
 tion">Lexi Todd</li></ul><p class="p1">Behind artists like Ethel Cain\, 100
  gecs\, Animal Collective\, and major media companies navigating high-stake
 s copyright disputes are the lawyers who structure deals\, protect rights\,
  and shape the legal contours of the music industry. From negotiating recor
 ding and publishing agreements to litigating cases involving copyright\, de
 famation\, and emerging technologies\, their work touches every part of the
  business.</p><p class="p1">This panel brings together leading practitioner
 s to discuss the realities of music law today\, including dealmaking\, liti
 gation\, and the challenges posed by streaming\, digital media\, and new te
 chnologies.</p><p><strong>1:15 - 2 PM: The Manager Behind Mitski\, Lucy Dac
 us\, Father John Misty\, & More</strong></p><p role="presentation">Speaker:
 </p><ul><li role="presentation">Dalton Sim</li></ul><p class="p1">From guid
 ing the careers of artists like Mitski\, Lucy Dacus\, Father John Misty\, a
 nd Guster to building globally recognized acts from the ground up\, Dalton 
 Sim has spent decades shaping what sustainable success looks like in the mu
 sic industry. His Boston-based management company has helped artists move f
 rom self-released projects to worldwide audiences while maintaining a stron
 g sense of identity and independence.</p><p class="p1">In this conversation
 \, Sim will discuss how artists build careers that last: navigating the pre
 ssures of the streaming era\, fostering direct relationships with fans\, an
 d making strategic decisions that extend far beyond the initial breakout mo
 ment.</p><p><strong>2 - 3 PM: Writing the Music We Hear Everywhere: Creativ
 ity\, Rights\, and Revenue in Songwriting</strong></p><p role="presentation
 ">Speakers:</p><ul><li role="presentation">Rodney Alejandro</li><li role="p
 resentation">Dave Herlihy</li></ul><p class="p1">From Grammy-nominated proj
 ects and collaborations with artists like Stevie Wonder\, Eric Clapton\, an
 d <span class="s1">will.i.am</span> to Billboard-charting songwriting and c
 ompositions for film and television\, this panel brings together creators w
 ho have worked at the highest levels of the industry. Their careers span ge
 nres\, mediums\, and decades of music-making.</p><p class="p1">This discuss
 ion will explore the craft of songwriting alongside the legal and business 
 frameworks that shape it\, including authorship\, publishing\, collaboratio
 n\, and the realities of writing music across industries from pop to film a
 nd television.</p><p><strong>3:00 - 4:00 PM: The Label Behind Your Favorite
  Bands: How Run for Cover Records Defined a Generation</strong></p><p role=
 "presentation">Speakers:</p><ul><li role="presentation">Tom Chiari</li><li 
 role="presentation">Jeff Casazza</li></ul><p class="p1">From launching the 
 early careers of bands like Modern Baseball\, Tigers Jaw\, Title Fight\, Tu
 rnover\, Citizen\, Basement\, and Pinegrove to working with artists like Al
 ex G\, mewithoutYou\, Balance and Composure\, Superheaven\, and MJ Lenderma
 n\, Run For Cover Records (RFC) has become known for signing artists before
  they break and supporting them long after. The Boston-based label has deve
 loped a global following and a reputation as a true tastemaker.</p><p class
 ="p1">Join the founder and label manager for a conversation on discovering 
 talent\, structuring artist-friendly deals\, and building a label that bala
 nces credibility\, community\, and long-term success in today’s music indus
 try.</p><p><strong>4:00 - 5:00 PM: From HLS to the Music Industry: Alumni P
 erspectives</strong></p><p role="presentation">Speakers:</p><ul><li role="p
 resentation">Dallin Earl</li><li role="presentation">Kike Aluko Wahutu</li>
 </ul><p class="p1">From negotiating music licensing deals for major streami
 ng platforms and film/TV projects to advising on transactions involving eme
 rging technologies like AI\, NFTs\, and digital media\, RAP alums are worki
 ng at the cutting edge of the music and entertainment industries. Their wor
 k spans law firms\, in-house roles\, and complex\, high-value deals across 
 the creative economy.</p><p class="p1">This panel will offer an inside look
  at careers in music law\, with speakers reflecting on their paths from Har
 vard Law School to practice\, the realities of their day-to-day work\, and 
 practical advice for students seeking to break into the field.</p><p><stron
 g>5:00 - 6:00 PM: Building an Indie Powerhouse Label: From Phoebe Bridgers 
 to Bon Iver</strong></p><p role="presentation">Speaker:</p><ul><li role="pr
 esentation">Darius Van Arman</li></ul><p class="p1">As co-founder of Secret
 ly Group—the independent powerhouse behind labels like Jagjaguwar\, Dead Oc
 eans\, and Saddest Factory Records—Darius Van Arman has helped build the in
 frastructure supporting artists such as Bon Iver\, Mitski\, Phoebe Bridgers
 \, Japanese Breakfast\, Sharon Van Etten\, Faye Webster\, MUNA\, and more. 
 For over three decades\, his work has helped define what independent music 
 can achieve at a global scale.</p><p class="p1">In this conversation\, Van 
 Arman will discuss the evolution of the indie label model\, from artist dev
 elopment to global distribution and digital licensing\, and the ongoing eff
 ort to secure fairer deals and greater transparency for independent artists
  in the modern music economy.</p><div><strong>6 - 8 PM: COCKTAIL RECEPTION<
 /strong></div>
CATEGORIES:Conference/Symposium
LOCATION:WCC\; 2019 Milstein West AB
GEO:0;0
ORGANIZER;CN="Violet Gautreau":MAILTO:vgautreau@jd27.law.harvard.edu
URL;VALUE=URI:https://hls.harvard.edu/events/rap-symposium-2026/
ATTACH;FMTTYPE=image/png:https://hls.harvard.edu/wp-content/uploads/2026/03/RAP-SYMPOSIUM-FINAL-REVISED.png
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DTSTART:20260308T070000
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